1/4" Show Models

About Kris Stone.

Kris lives for the living playwright. Designs for premieres have been seen at the following;

NYC: Playwrights Horizon, Second Stage, Lincoln Centre Theatre 3, Rattlestick, New Victory (Drama Desk Nom Brundibar), Ars Nova (Lortel Nom Outstanding Musical The Wildness), Joyce, Cherry Lane, La Mama, and Women’s Project.

Regionally: Hartford Stage, Huntington, Yale Rep, Old Globe, Long Wharf, Actors Theatre of Louisville, Williamstown Theatre Festival, Lyric Opera Baltimore, People’s Light, Florentine/Nashville/Tulsa Opera, Contemporary American Festival, Opera Memphis/Cleveland, and Chicago Opera Theatre.

Internationally: Abbey Theatre, Project Theatre Dublin, Riverside - London, Wiesbaden Festival - Germany, Dublin and Edinburgh Theatre Festivals, Royal Theatre -Tasmania, and Mermaid Arts Center - Bray, Ireland.

Near and dear remain; Cusi Cram’s A LIFETIME BURNING (Primary Stages, dir. Pam MacKinnon), Jenny Schwartz’s GOD’S EAR (Vineyard/New Georges at CSC, dir. Anne Kauffman), Dan LeFranc’s TROUBLEMAKER (Berkeley Rep, dir. Lila Neugebauer), HUNDRED DAYS a rock opera by The Bengsons (Z Space - San Francisco, dir. Anne Kauffman), and Set/Projections for J.T. Rogers’ BLOOD AND GIFTS (La Jolla Playhouse – regional premiere, dir. Lucie Tiberghien).

Upcoming: HUNDRED DAYS for New York Theatre Workshop), DUBLIN BY LAMPLIGHT for the Abbey Theatre in Dublin Corn Exchange), JANE EYRE for Cincinnati Playhouse and Milwaukee Rep, SISTER CARRIE for The Florentine Opera/tours, and IN THE NIGHT KITCHEN by Philip Glass and Maurice Sendak directed by Phelim McDermott for the Manchester International Festival in 2018.



MFA: Theatre Design Yale School of Drama 1998 and Projection Design 2010-11

BFA: Drawing and Anatomy The Art Institute of Chicago 1995

BFA: Theatre Design 1994 MU with Credits toward BFA from The Slade School of Fine Art and Queen Mary & Westfield College, London, UK 1993